I have always been fascinated by the things we cannot fully explain — the way a place can feel familiar without knowing why, how a memory can exist without a clear origin, or how a single moment can seem to belong to another time.

My photography is an exploration of these invisible connections between memory, time, the subconscious, and the spaces we inhabit.

I am particularly drawn to the relationship between the human body and its surroundings. The feminine form, empty rooms, architectural spaces, and natural landscapes become places where presence and absence coexist, where something can feel deeply personal yet remain undefined.

I often approach photography intuitively, allowing dreams, emotions, and fragments of memory to influence the creative process. Through light, movement, texture, and composition, I create images that exist somewhere between the real and the imagined.

I am interested in the possibility that memory is not entirely linear, that time can be experienced in layers, and that certain places may hold emotional traces of experiences beyond our conscious understanding.

Rather than constructing narratives with clear beginnings and endings, I seek to create images that remain open, allowing each viewer to bring their own memories, associations, and interpretations into the work.

For me, photography is not only a way of preserving what exists, but a way of exploring what may exist beyond what we can see.

I want my images to be felt before they are understood.

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